David Kollar and his solo album “Sculpting in Time“ (Hevhetia 2019) – extraordinary guitar player composing/sculpturing extraordinary music with exceptional collaborators: Erik Truffaz and Arve Henriksen (both trumpet), Christian Fennesz (guitar & electronics), Pat Mastelotto (drummer of King Crimson, this time even reading Pasternak´s poem…). This piece of musical art is inspired primarily by the poetics of legendary film director Andrey Tarkovsky in many explicit and implicit levels: nevertheless Kollar´s inclination to his movies (especially Stalker and Mirror) is not either accidental, neither conjectural, but significative. It is connected with inner energy of nostalgia, desire and constant searching for deeper sense of our unpredictable lives. His introspective musical compositions are an expression of questioning our the most hidden, burning existential tensions. Sometimes they sounds conciliatorily, sometimes very disquietly, gradually they will bring you over deeply inside, where you can find maybe something forgotten, but important ultimately evoking unusual catharsis...